I approach art as a way to transform the ordinary into the extraordinary, guided by the belief that everything possesses inherent beauty and value. My work encourages viewers to reconsider what is often overlooked, fostering a renewed appreciation for the materials and objects that shape our world. Each series I create is deeply tied to a specific place, reflecting its unique character and resources while forging connections between personal stories and broader universal themes.
My process blends research with spontaneity, informed by my background in design and a commitment to sustainability. I often work with reclaimed materials, such as wood, natural elements, and discarded objects, to reimagine their potential and challenge perceptions of worth. For instance, in Les Reconfigurations, I transformed pine cone scales and reclaimed wood into sculptural works that honored the Swiss village where I lived, paying tribute to its landscapes, the local carpenter who provided the materials, and the artists who inspired and supported my practice. In my Mistral series, paintings present the cold waters of the New England shoreline through layered waves of saturated color, radiating lines, and hidden textures, inviting viewers to consider how individual moral choices ripple through our collective environment.
Engaging audiences is central to my practice. I aim to provoke reflection and dialogue, encouraging viewers to question their relationship with nature, consumption, and the ways in which they perceive beauty, value, and meaning in the everyday. My hope is that the work not only sparks curiosity but also inspires tangible action.
I strive to create art that resonates emotionally while remaining rooted in mindful innovation. As I continue to evolve, I remain committed to exploring new materials and collaborating with communities, forging work that connects sustainability with meaningful artistic expression.